Making a shared space livable for everyone requires more than the purchase of smaller furniture, so that you can fit more people and things into a room. Rather, it requires an understanding of how to arrange the space so that it feels clutter free. More than that, there must be an understanding of how to maximize its functionality, so that one can get the most out of the space, with the fewest items in it. Countries where space has long been an issue have been the most prolific when it comes to finding ways in which to most efficiently utilize surface area. Japanese design firms, such as Igarishi Design Studio and Kenchikukagu of Atelier OPA, have consistently produced furniture designs that are at once attractive, minimalist, and functional. The elegant simplicity of design exhibited in the work of these two companies, is both a response to limited space, and a reflection of culturally based design concepts. Japanese design has long adhered to a set of aesthetic rules with which the Western world is largely unfamiliar. Whereas the goal of many upwardly mobile Westerners is to fill a room with as many pieces of furniture, electronics, and accessories as possible, Japanese design stresses simplicity, called kanketsu, and Japanese designers are as focused on the negative space, or ma, as they are on the actual objects they design or place in a room. Rather than filling a space, Japanese design is invested in sculpting the empty space. This idea of sculpting the “white space” is especially apparent in the “rid block” by Igarishi Design Studio, pictured below. A series of modular units that can be rearranged into multiple configurations, the “rid block”, can be everything from dining room table, to office space, to living room furniture.
|The "Rid Block" from Igarishi|
The Japanese are not the only group of people that have excelled at creating furniture that both saves space and is aesthetically pleasing. The single most widely recognizable modular furniture company is, without a doubt, IKEA, the Swedish company founded by Ingvar Kamprad. Though the company’s space saving concepts and designs had already gained recognition and popularity in many parts of Europe by the 1950’s, their emergence as a furniture superpower, worldwide, did not occur for another 30 years. It was not until the 1980s that IKEA began to expand into European markets in France, Italy, and the UK, and then finally, to the US. IKEA arrived in the US at exactly the same moment as a movement towards environmentally sound living practices, and an increased need for shared living space, began. It was a happy coincidence, and the company’s aesthetic quickly took a young generation of apartment mates by storm. Sofa sales were especially successful, as were sales of the company’s office and bedroom furniture sets, and they have remained the top retailer for people seeking to increase the functionality of limited space for 3 decades. IKEA’s “Karlstad” modular sofa, pictured below, is an example of the clean lines for which the company is known. Other European design firms, recognizing the success of IKEA’s minimalist approach, have since created more luxurious variations on this theme. Alf + Da Fre Italia, for example, has combined the clean lines and modular styling that has become the aesthetic norm in today’s small apartments, with higher-end fabrics and materials that are often most associated with larger and more traditional furniture styles. A sofa from their “Divano Zen” line is also pictured below.
|"Karlstadt" from Ikea|
“Divano Zen” from Alf + Da Fre Italia
“Mobile Kitchen” and “Foldaway Office and Bedroom” by Kenchikukago
Susan is an amateur interior designer and passionate about home photography.