April 26, 2010

Slideshow: Warsaw University Library - by Marek Budzyński & Zbigniew Badowski - Warsaw, Poland



Definitely not the best photographs I have ever taken, but still this is fabulous building that remains virtually unknown. Check out our description of the project here: The Warsaw University Library



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April 21, 2010

Contest: win a monograph of J. Mayer H. Architekten

The second giveaway contest on Talkitect.com is in collaboration with J. Mayer H. Architekten, an inspiring Berlin based firm.

Book Description:
Edited by Henry Urbach and Cristina Steingräber, this is the first book to present the entire oeuvre of J. MAYER H., starting with research and moving through design to project development, and culminating in the actual building itself. A number of renowned authors, such as Rolf Fehlbaum, Andres Lepik, John Paul Ricco, Ilka und Andreas Ruby, Felicity D. Scott, Henry Urbach, und Philip Ursprung take a variety of approaches toward positioning the office’s work in today’s international architecture scene.

J. MAYER H.
Ed. Henry Urbach, Cristina Steingräber, texts by Stephen Hartman, Andres Lepik, John Paul Ricco, Ilka und Andreas Ruby, Felicity D. Scott, Henry Urbach, Philip Ursprung, interview with the architect by Rolf Fehlbaum
German edition ISBN 978-3-7757-2222-3
English edition: ISBN 978-3-7757-2223-0

For more information on the architecture of  J. Mayer H. visit their website: http://www.jmayerh.de/

How To Win:
We are giving away three copies of the monograph. Leave a comment on this post to enter (please include your name in the post or you will be ineligible to win). We will randomly choose 3 posts and announce them on May 5th. Once again, the winners will have one week to contact us and claim their prize. Good luck and thanks for reading.


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April 20, 2010

"Sonnenhof" Construction Now Underway - J. MAYER H. Architects

A ceremony on April 16 marked the official groundbreaking of "Sonnenhof", a landmark development consisting of four new office and apartment buildings extending over several allotments in the historic center of Jena, Germany. Spanning over approximately half of the lot, the four-building complex leaves a large part of the space open for public use during the day, permitting a free flow of pedestrian traffic across the area. The buildings, situated on the edges of the lot, frame a small, urban courtyard typical to medieval city structures. Passages between the individual buildings connect them to the surrounding public-use areas, making it an important junction in the urban network. The mixed-use concept supporting a small scale, flexible use scenario facilitates a seamless integration into the existing urban fabric, while the design of the outer buildings takes up the geometry of the polygonal shapes in the facade, continuing their graphics across the floor. The resulting surfaces are often extended and "programmed" into the third dimension, forming a sculptural set of wedges and steles integrating such functional elements as flower beds, ventilation openings, seating and lighting fixtures and thus transforming the open areas into attractive, urban leisure spaces.

Project: Sonnehof Jena
Location: Jena, Germany
Architect: J. MAYER H. Architects, Berlin
Client: Wohnungsgenossenschaft "Carl Zeiss" eG, Jena
Total Floor Area: approx. 10.000 m2
Design Start: 2008
Construction Period: 2010 -2012


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April 12, 2010

Slideshow: Vitra Design Museum and Campus - Basel, Switzerland



A variety of buildings quietly sit on the Vitra campus outside Basel, each designed by one of the world's top architects. Ando sits next to Gehry across the street from a new Herzog and de Meuron. Grimshaw, Siza and Gehry added factory buildings, with a fourth under construction designed by Sanaa. The firehouse was Hadid's first completed building and a Buckminster Fuller geodesic dome completes the campus. An impressive collection of architecture compliments the exquisitely designed furniture Vitra is famous for, including designs by Charles and Ray Eames. My visit there was all the more interesting with an exhibit of the work of the Campala Brothers, fantastic designers and artists.


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April 5, 2010

SANAA wins the 2010 Pritzker Prize

The press release from the Pritzker Prize jury:

CA—Kazuyo Sejima and Ryue Nishizawa, partners in the architectural firm, SANAA, have been chosen as the 2010 Laureates of the Pritzker Architecture Prize. The formal ceremony for what has come to be known throughout the world as architecture’s highest honor will be held on May 17 on historic Ellis Island in New York. At that time, a $100,000 grant and bronze medallions will be bestowed on the two architects.

In announcing the jury’s choice, Thomas J. Pritzker, chairman of The Hyatt Foundation, elaborated, “This marks the third time in the history of the prize that two architects have been named in the same year. The first was in 1988 when Oscar Niemeyer of Brazil and the late Gordon Bunshaft were so honored, and the second was in 2001, when Jacques Herzog and Pierre de Meuron, partners in a Swiss firm, were selected.”

He continued, “Japanese architects have been chosen three times in the thirty year history of the Pritzker Architecture Prize — the first was the late Kenzo Tange in 1987, then in 1993, Fumihiko Maki was selected, and in 1995, Tadao Ando was the honoree.”

The purpose of the Pritzker Architecture Prize is to honor annually a living architect whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.

Pritzker Prize jury chairman, The Lord Palumbo quoted from the jury citation to focus on this year’s selection: “For architecture that is simultaneously delicate and powerful, precise and fluid, ingenious but not overly or overtly clever; for the creation of buildings that successfully interact with their contexts and the activities they contain, creating a sense of fullness and experiential richness; for a singular architectural language that springs from a collaborative process that is both unique and inspirational; for their notable completed buildings and the promise of new projects together, Kazuyo Sejima and Ryue Nishizawa are the recipients of the 2010 Pritzker Architecture Prize.”

While most of their work is in Japan, Sejima and Nishizawa have designed projects in Germany, England, Spain, France, the Netherlands and the United States, under their combined name SANAA. The first SANAA project in the United States began construction in 2004 in Ohio—a Glass Pavilion for the Toledo Museum of Art. Completed in 2006, it houses the museum’s vast collection of glass artworks, reflecting the city’s history when it was a major center of glass production.

While that building was still under construction, the New Museum of New York City broke ground in 2005 at 235 Bowery. Completed in 2007, the building has been described as “a sculptural stack of rectilinear boxes dynamically shifted off-axis around a central steel core.”

The jury citation specifically mentions these projects as well as two projects in Japan: “the O-Museum in Nagano and the 21st Century Muscum of Contemporarry Art in Kanazawa.” The Ogasawara Museum was one of their first projects together.

The De Kunstline Theater and Cultural Center in Almere, the Netherlands, and a more recent Rolex Learning Center in Lausanne, Switzerland are also major projects of SANAA. Other works in Japan include the Naoshima Ferry Terminal and the Christian Dior Building in Tokyo.

In Essen, Germany, in 2006, the Zollverein School of Management and Design was inaugurated in a new building designed by SANAA on an historical coal mining site. The building is described as an oversized cube (approximately 114 feet in each dimension) with an unusual arrangement of openings and windows of four different sizes.

The Serpentine Pavilion in London, their first built project in the United Kingdom, was in place for three months on the gallery’s lawn — the ninth such commission in the Serpentine’s series of pavilions. In France, a branch of the Louvre Museum in Lens will comprise some 300,000 square feet of construction.

In Valencia, Spain, SANAA provided a unique expansion solution to IVAM (Valencian Institute of Modern Art) in which their existing building housing eight galleries will be completely enclosed by a translucent skin covering an entire block, and thus creating new indoor/outdoor public spaces between the building and the skin. The proposed skin is a light weight perforated metal that allows daylight, wind and rain to pass through. Construction has not yet begun.

Both architects have extensive lists of completed works and projects as individual architects.

Upon learning that she was being honored, Kazuyo Sejima had this reaction: “I am thrilled to receive such an honor. I would like to thank the Pritzker (Hyatt) foundation, the jury members, the clients who have worked with us, and all of our collaborators. I have been exploring how I can make architecture that feels open, which I feel is important for a new generation of architecture. With this prize I will continue trying to make wonderful architecture.”

And a similar reaction from Ryue Nishizawa: “I receive this wonderful prize with great humility. I am very honored and at the same time very surprised. I receive and understand this prize as encouragement for our efforts. Every time I finish a building I revel in possibilities and at the same time reflect on what has happened. Each project becomes my motivation for the next new project. In the same way this wonderful prize has given me a dynamic energy that I have never felt before. I thank you very much.”

The distinguished jury that selected the 2010 Laureates consists of its chairman, Lord Palumbo, internationally known architectural patron of London, chairman of the trustees, Serpentine Gallery, former chairman of the Arts Council of Great Britain, former chairman of the Tate Gallery Foundation, and former trustee of the Mies van der Rohe Archive at the Museum of Modern Art, New York; and alphabetically: Alejandro Aravena, architect and executive director of Elemental in Santiago, Chile; Rolf Fehlbaum, chairman of the board of Vitra in Basel, Switzerland; Carlos Jimenez, professor, Rice University School of Architecture, principal, Carlos Jimenez Studio in Houston, Texas; Juhani Pallasmaa, architect, professor and author of Helsinki, Finland; Renzo Piano, architect and Pritzker Laureate, of Paris, France and Genoa, Italy; and Karen Stein, writer, editor and architectural consultant in New York. Martha Thorne, associate dean for external relations, IE School of Architecture, Madrid, Spain, who is executive director of the prize, augmented the jury citation, saying, “The architectureof Sejima and Nishizawa explores the ideas of lightness and transparency and pushes the boundaries of these concepts to new extremes.”

In addition to the previous laureates already mentioned, the late Philip Johnson was the first Pritzker Laureate in 1979. The late Luis Barragán of Mexico was named in 1980. The late James Stirling of the United Kingdom was elected in 1981, Kevin Roche in 1982, Ieoh Ming Pei in 1983, and Richard Meier in 1984. Hans Hollein of Austria was the 1985 Laureate. Gottfried Böhm of Germany received the prize in 1986. Robert Venturi received the honor in 1991, and Alvaro Siza of Portugal in 1992. Christian de Portzamparc of France was elected Pritzker Laureate in 1994. Frank Gehry of the United States was the recipient in 1989, the late Aldo Rossi of Italy in 1990. In 1996, Rafael Moneo of Spain was the Laureate; in 1997 the late Sverre Fehn of Norway; in 1998 Renzo Piano of Italy, in 1999 Sir Norman Foster of the UK, and in 2000, Rem Koolhaas of the Netherlands. Australian Glenn Murcutt received the prize in 2002. The late Jørn Utzon of Denmark was honored in 2003; Zaha Hadid of the UK in 2004; and Thom Mayne of the United States in 2005. Paulo Mendes da Rocha of Brazil was the Laureate in 2006, and Richard Rogers received the prize in 2007. Jean Nouvel of France was the Laureate in 2008. Last year, Peter Zumthor of Switzerland received the award.

The field of architecture was chosen by the Pritzker family because of their keen interest in building due to their involvement with developing the Hyatt Hotels around the world; also because architecture was a creative endeavor not included in the Nobel Prizes. The procedures were modeled after the Nobels, with the final selection being made by the international jury with all deliberations and voting in secret. Nominations are continuous from year to year with hundreds of nominees from countries all around the world being considered each year.


Citation from the Jury:

For more than 15 years, architects Kazuyo Sejima and Ryue Nishizawa have worked together in their collaborative partnership, SANAA, where it is virtually impossible to untangle which individual is responsible for what aspect of a particular project. Each building is ultimately a work that comes from the union of their two minds. Together they have produced major commissions, such as the O-Museum in Nagano and the 21st Century Museum of Contemporary Art in Kanazawa (both in Japan), the Glass Pavilion at the Toledo Museum (Ohio), De Kunstline Theater and Cultural Center (Almere, the Netherlands), the New Museum of Contemporary Art (New York, NY), and the recent Rolex Learning Center (Lausanne, Switzerland).

The buildings by Sejima and Nishizawa seem deceptively simple. The architects hold a vision of a building as a seamless whole, where the physical presence retreats and forms a sensuous background for people, objects, activities, and landscapes. They explore like few others the phenomenal properties of continuous space, lightness, transparency, and materiality to create a subtle synthesis. Sejima and Nishizawa’s architecture stands in direct contrast with the bombastic and rhetorical. Instead, they seek the essential qualities of architecture that result in a much-appreciated straightforwardness, economy of means, and restraint in their work.

This economy of means, however, does not become a simple reductive operation in the architects’ hands. Instead, it is an intense and rigorous investigation anchored in hard work and steely determination. It is a constant process of refinement, where each client’s program is fully investigated and multiple design possibilities are explored through numerous drawings and models that check every alternative. Ideas are considered and discarded, reconsidered and reworked until only the essential qualities of a design remain. The result is a deft union of structure and organization, of logical purpose and precise beauty.

It may be tempting to view Sejima and Nishizawa’s refined compositions of lightness and transparency as elitist or rarefied. Their aesthetic, however, is one of inclusion. Their approach is fresh, always offering new possibilities within the normal constraints of an architectural project as it systematically takes the next step. They use common, everyday materials while remaining attuned to the possibilities of contemporary technology; their understanding of space does not reproduce conventional models. They often opt for non-hierarchical spaces, or in their own words, the “equivalence of spaces,” creating unpretentious, democratic buildings according to the task and budget at hand. One example is the Almere project in the Netherlands, with its many simple classrooms and workshops, all presenting privileged views of the sea. Another example is the Rolex Learning Centre in Lausanne, a space to be used by students day and night. Sejima and Nishizawa originally conceived it as a multi-story building, but, in the course of their deliberation, it became a single yet vast, flowing space. The building’s many spaces (library, restaurant, exhibition areas, offices, etc.) are differentiated not by walls but by undulations of a continuous floor, which rises and falls to accommodate the different uses, while allowing vistas across this internal “landscape for people.”

The relation of the building to its context is of utmost importance to Sejima and Nishizawa. They have called public buildings “mountains in the landscape,” believing that they should never lose the natural and meaningful connection with their surroundings. The New Museum in New York feels at home in the rough Bowery area of the city. Their glass-enclosed museums, such as the Glass Pavilion at the Toledo Museum of Art in Ohio, blur the borders between inside and out, providing direct and changing views to the surroundings.

While Sejima and Nishizawa have not published theoretical treatises to date, they are cerebral architects, whose work is based on rigorous investigation and guided by strong and clearly defined concepts. The appointment of Kazuyo Sejima as the director of the 2010 Venice Architecture Biennale is a tribute to this.

For architecture that is simultaneously delicate and powerful, precise and fluid, ingenious but not overly or overtly clever; for the creation of buildings that successfully interact with their contexts and the activities they contain, creating a sense of fullness and experiential richness; for a singular architectural language that springs from a collaborative process that is both unique and inspirational; for their notable completed buildings and the promise of new projects together, Kazuyo Sejima and Ryue Nishizawa are the recipients of the 2010 Pritzker Architecture Prize.

Images of some of their other projects:
















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Architectural Book Giveaway - Winners!

The winners of the Architectural Book Givaway, sponsored by The Princeton Architectural Press have been chosen. For the following 5 people, you have one week to email us your shipping address and the title of your book of choice. Congratulations to:
  • erintrudime
  • Aviva
  • Deepak
  • Dan Brzycki
  • Rachel Auerbach
If any of the prizes aren't claimed by next Monday, April 12th, we will chose a new winner. Thank you all for entering and leaving interesting and often humorous comments. We hope you all continue to enjoy our content and will check back often for future giveaways. We would also appreciate it if you would follow us on facebook and twitter and mention us to your friends.

Thank you all for entering and I hope the winners enjoy their books.


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Slidshow: Museum of 21st Century Art - by SANAA winners of the 2010 Pritzker Prize



In celebration of their recent win of the 2010 Pritzker Prize, here is a slide show of the Museum of 21st Century art in Kanazawa Japan. A truly superb building.


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